Aesthetically Pleasing: Art Nouveau
Graphic illustrators near the end of the 19th century were using all the important elements of design, shape and pattern. The man who used those same elements and actually changed the way that graphic designers looked at a page, died at the age of only 26 years. Artists continue to attempt to copy his highly individualistic interpretation of art nouveau. You will find that further information on graphic design outsourcing is on that site.
Oscar Wilde was a significant persona in the world of literature at that time, and though he stirred controversy, he was a vocal supporter of a wide range of artistic genres, holding the belief that art itself was a justifiable goal and should not be subjected to judgments predicated on morals and ethics. Wilde chose this important figure in the history of Art Nouveau style to create imagery for a story of his which was considered ‘perverse’ and ‘exotic’. The tale was illustrated in fantastical patterns, sweeping lines, and eroticism somewhat threaterning in its design.
The sophisticated juxtaposition of black and white space is a common theme in his work. He used wide borders and planes or shadows which contrasted with the delicate patterns etched upon a white surface. In a style all his own, the artist presents large, flowing curves which seem to move upon an asymmetrical page. The characters depicted in his art hold intricate objects presented in great detail, but are just simple outlines themselves. It is that interplay between something simple and something complicated that creates the true strength of his work.
Japanese art, as well a a revival in medieval art forms and early Renaissance work inspired designers at the end of the 19th century. The youthful illustrator’s work remained copied on a grand scale in both the United States and Europe, and it turned out to be popular because of his drawings that were showcased in a few well known publications. Even today a lot of his work is still being reproduced and seen as posters and framed prints. Visit this site for further information on outsource graphic design.
Poster art slowly grew from what was a commercial advertising medium into its very own art form at the end of the 19th century. Posters were some of the first things to be printed in color, all of the books still being printed in black and white. Design of posters typically concentrated on a single image, created to attract attention using color and form. What text appeared on posters was as succinct as possible. The words were printed to discuss whatever occasion or product the poster was designed for. He knew that the audience’s attention was more easily attracted to simplicity so he used vivid colors and flat, basic shapes. Much like an Impressionist painting, his lines would be somewhat fractured and hesitant. Tbis artist’s work is therefore widely known as the precursor to the true art nouveau poster aesthetic.
Another artist known for bolder lines and more flowing curves is considered as the father of the prototypical art nouveau poster. These posters typically feature youthful, flowing, slender girls with cascading hair. Their hair continues off their bodies and shifts into capricious shapes. An additional renowned art nouveau poster artist’s creations were invariably characterized by sleek, thin proportions which included a full-body rendering of a woman. Many distinctive art forms can be seen in these designs which borrow elements from Arab and Moorish decoration, Hebrew calligraphy, the mosaics of the Byzantine as well as Celtic motifs and wood cuts from Japan.
Books and reprints are available today for many of the turn-of-the-century artists. Late 19th century and early 20th century poster art is available from dealers who specialize in it. If you travel to international antique shows, you can find their booths among the aisles. An original work in good condition will generally set you back hundreds or thousands of dollars.
